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  • Biswas, B. (2016). [Review of the books Bengali theatre: 200 Years by U. K. Banerjee & Badal Sircar: Towards a theatre of conscience by A. Katyal]. Intach Journal of Heritage Studies, 2 (1), 66–68.
  • ——. (2017). Aurality, Orality and Embodied Memories: Historicizing Caste in Bengal through Nmasudra Perfromance. In Syeda Ayesha Ali & Tayana Chatterjee (Eds.). Interpretation of Memories: Literary, Psychological and Historical Aspects, 173–188. Kolkata: Rohini Nandan. Cherian, A. (2017). (Ed.). (2017). Tilt pause shift: Dance ecologies in India. New Delhi: Tulika Books.
  • ——. (2017). Dancing in the Now: Conditions, Categories, Possibilities. In Cherian, A. (Ed.). tilt pause shift: Dance ecologies in India. New Delhi: Tulika Books.
  • ——. (2017). Redefining the public, naturalizing the private: The rewiring of cultural policy discourse in India, 1989–2005. In Cherian, A. (Ed.). tilt pause shift: Dance ecologies in India. New Delhi: Tulika Books.
  • ——. (2017). Choreographic Portrait. Nimmy Raphael, Nidravathwam, In Cherian, A. (Ed.). tilt pause shift: Dance ecologies in India. New Delhi: Tulika Books. Krishnan, R. (2016). Enigma of alternative. Economic and Political Weekly, 51(46), 25–27.
  • Santhosh, S. (2017). Counter-History of the (Indian) National-Modern: The Life and Works of RamkinkarBaij. The Progressive Cultural Movement: A Critical History. New Delhi:
  • SAHMAT. Sivaraman, D. (2016, August 31). The shifting notions of theatre space (V. Pukhan, Interviewer) Forbes India. Mumbai.
  • ——. (2017, January 21). Maker of grand spectacles (V. Pukhan, Interviewer). The Hindustan Times. Mumbai
  • ——. (2017, March 16). Courting Khasak on stage (N. Sudheesh, Interviewer). The New Indian Express. Kochi
  • ——. (Scenographer) (2017). Talatum—An adaptation of Shakespeare’s Tempest [Motion Picture], New Delhi: NDTV.
  • Santhosh, S. (2017, March). Dalitization of Politics and the Suicide Note of Rohit Vemula. Seminar, 691, 56–61.
  • Jain, S. (2016, November). Payal Kho Gayi. Sandarbh